Tanka Jahari Posted February 4, 2020 Posted February 4, 2020 I'm here for all of the endzone camera talk. My personal favorite is the Hi-Pod X31. Endzone cameras have totally changed the game of high school football.
gonzoron Posted February 5, 2020 Posted February 5, 2020 8 hours ago, Tanka Jahari said: I'm here for all of the endzone camera talk. My personal favorite is the Hi-Pod X31. Endzone cameras have totally changed the game of high school football. 1
swordfish Posted February 5, 2020 Posted February 5, 2020 SF is thinking perhaps you may want to get back "in bounds"......
Tanka Jahari Posted February 5, 2020 Author Posted February 5, 2020 15 hours ago, gonzoron said: Sir I am here to talk about endzone cameras. Please leave meowt of this nonsense. 15 hours ago, DanteEstonia said: K Do you have a personal favorite when it comes to endzone cameras?
Impartial_Observer Posted February 5, 2020 Posted February 5, 2020 21 minutes ago, Tanka Jahari said: Do you have a personal favorite when it comes to endzone cameras? I really have no idea, but I will say of the vids I see of our games, there seems to be a wide array of film quality from the SL view. From the EZ view I don't see as much difference from one film to the next. Some tend to show greater detail, assuming they are zoomed to some extent, I really have no idea. Just out of curiosity when you cut your tape before uploading to Hudl, do you run SL/EZ then to the next play? Or do you have the entire game SL and EZ as different flims. I'm sure the preferences for all officials is SL/EZ on one film, it's amazing how many times you use both views to determine things for us.
gonzoron Posted February 5, 2020 Posted February 5, 2020 (edited) 24 minutes ago, Impartial_Observer said: I really have no idea, but I will say of the vids I see of our games, there seems to be a wide array of film quality from the SL view. From the EZ view I don't see as much difference from one film to the next. Some tend to show greater detail, assuming they are zoomed to some extent, I really have no idea. Just out of curiosity when you cut your tape before uploading to Hudl, do you run SL/EZ then to the next play? Or do you have the entire game SL and EZ as different flims. I'm sure the preferences for all officials is SL/EZ on one film, it's amazing how many times you use both views to determine things for us. Great discussion. My question is, is the Hi-Pod X31 only for use as an end-zone camera, or is it also widely recommended for sideline views? Has any consideration been given to using it as a pylon cam? Edited February 5, 2020 by gonzoron
Tanka Jahari Posted February 5, 2020 Author Posted February 5, 2020 1 hour ago, Impartial_Observer said: Just out of curiosity when you cut your tape before uploading to Hudl, do you run SL/EZ then to the next play? Or do you have the entire game SL and EZ as different flims. I'm sure the preferences for all officials is SL/EZ on one film, it's amazing how many times you use both views to determine things for us. Sir that is a great question. Personally, I prefer to put the SL/EZ back to back before the next play comes up. I feel strongly that this is the best way to cut the film.
Irishman Posted February 5, 2020 Posted February 5, 2020 We do not have an endzone camera; but we do have hudl sideline; so the plays load to hudl within seconds of recording. hudl's program automatically puts the clips back to back; I believe.
Tanka Jahari Posted February 18, 2020 Author Posted February 18, 2020 It has been said that the next HC at New Prairie will have some talented players returning. While that's important to consider, there might be an even bigger factor. What is the endzone camera situation at New Prairie? Is Radtke leaving it better than he found it?
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